Archive for March, 2009

What a Difference a Frame Makes

Monday, March 30th, 2009


ZAP” got picked to be part of a juried art show here in Portland in April. Through the years, I’ve only had a few people send me photos after they’ve framed one of my prints, and most stuff I do for other gallery shows is in the painting realm, so actually getting to see one of my prints, framed and in person, is kind of a rare treat; makes everything pop a bit more I think.

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The First Twelve

Saturday, March 28th, 2009


Well, technically, 11 of the first 12 as ZAP, being larger, isn’t printed on the same test print, but still, this is where we’re at. If you missed my post about this earlier in the year, I am making a handful of test prints onto which I pull every color of every weekly print. By the end of the year, each of these prints will have around 120 layers, and they already have a different weight and presence when compared to a regular print.

I think it’s interesting to follow the progress in the animation, to see how the colors lay on top of each other, and how sometimes a certain print will just kind of reset the whole deal.

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Mmm, Bacon

Wednesday, March 25th, 2009


I like bacon, and I reckon a lot of you reading this do too. If you don’t, that’s cool, but this little piggy in the print sure loves it. This is also print number 12 of the year, it feels really strange to think I’m already almost 25% done with this challenge.

Two colors, 8″ by 12″

Available for $15 in the Weekly Print store!

Also, a big thank you to those who chimed in on my last post. I’ll work up a DIY post on my pre-press process and post it soon. Thanks for watching!

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Anyone Out There?

Tuesday, March 24th, 2009

I haven’t done an informational, DIY screenprinting post in a while, is there anything specific someone out there wants to see covered?

If not, I’m leaning towards covering washout, or part of my pre-printing process (drawing, scanning, color separation, etc).

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The Sea Bastard

Thursday, March 19th, 2009


Last summer, I created the character of the Sea Bastard for an art show at Tender Loving Empire. I have wanted to use him on some other things since, so why not a print?

Three colors, 8″ by 12″

Available for $15 in the Weekly Print store.

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Utter Nonsense

Saturday, March 14th, 2009


Whew, just under the wire this week, sorry for the delay. I was reading a bit of Ludwig Wittgenstein’s Tractatus Logico-Philosophicus over the last week, and all I can say is that this is what came out of me. Just out of curiosity, I did a search of anagrams of “Utter Nonsense” and some of them are pretty great, so I might make a companion piece for next week, which will hopefully be done earlier in the week than this one.

Two colors, 8″ by 12″

Available for $15 in the Weekly Print store.

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Ghosts

Thursday, March 5th, 2009


Something a little different for print number nine. About two years ago, while fooling around in a college class, I doodled the inspiration for this image. The original has been hanging in my bathroom ever since and always garners a few chuckles from visitors to my apartment. So, I decided it was time to make it a little more widely available.

Two colors, 8″ by 12″

Available for only $15 in the Weekly Print store.

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Put Your Coat On

Tuesday, March 3rd, 2009


Alright, today we’re going to cover how I coat screens with emulsion and dry them safely. First off, you’ll need your screen, some emulsion (I use Ulano QTX), and a method to get the emulsion on the screen evenly. If there’s one piece of screenprinting equipment that I cannot recommend enough, it’s a scoopcoater (That’s the metal trough thing in the photo, in case you don’t know).

I started out putting a bead of emulsion on my screen and spreading it with a squeegee. That method does work if it’s your only option. I did that for about 6 months, until I got a scoopcoater and everything became so much easier and far, far less messy.

 

Fill your scoopcoater about half full of emulsion. If you overfill it, spills happen, like this. I didn’t get any pictures while actually coating screens because I needed both of my hands, sorry. Using the sharper edge of the scoopcoater, I pull one coat of emulsion on both sides of the screen. Coat the back side of the screen first, and then the squeegee side. This will give you the smoothest surface when you actually get to printing. I dry my screens (squeegee side up) in a large cardboard box that I normally store under my printing table. Conveniently, the boxes that my new screens get shipped to me in happen to be perfectly screen-sized.

When you’re done coating, don’t forget to take a plastic card or small squeegee and scrape the leftover emulsion from you scoopcoater back into your tub of emulsion, it’s still good.

 

To make the drying process much faster, I have a flap cut in one side of the box, just large enough in which to stick a small desk fan. I can stack five or six screens in one box, each one separated by pieces of scrap wood, as you can see in the photo. This gives you enough room for the fan’s breeze to fully circulate around your screens.

 

Once the emulsion starts to dry, it becomes light sensitive, so I have a large piece of heavy fabric that I can hang over the window to block out all light. Any room lights should be off at this point too, unless you have a red or yellow darkroom safety light.

 

If, like me, you’re drying your screens in a room you use for other purposes, and you can’t get away with having your room in total darkness for a few hours, you can also drape that same fabric over the fan side of your box.

With the fan on constantly, I’ve gotten away with exposing screens that have been drying for about 3 hours. If I’m not in such a rush, after an hour or so, I take the fan out, close the flap in the box, and just let the screens chill in their dark box until I need them the next day or whenever.

That’s it, if you have any questions or comments, shoot. This week’s print is going to be a bit weird, but probably won’t post until Thursday or Friday, so make sure you check back.

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Anyone in Portland?

Monday, March 2nd, 2009

I’m not sure if there are any Weekly Print readers out there in the Portland area that I don’t already know personally, but if there are, and you happen to be of the illustrator, cartoonist, or otherwise artistic persuasion, or if you know someone fitting that description, read on…

Indigo Kelleigh, Les McClaine, Jon Siruno, and I share an illustration studio space on the east side of Portland called Tranquility Base. We are currently looking to move studio locations soon and some of the better spots available would be more than big enough to accommodate another person (or two). Simply put, we’re just four illustrators and cartoonists looking for some good studio space for around $100 a month, and we’re looking to up our numbers to five (or even six), now wouldn’t you like in on that?

If you’re an artist in Portland looking for some studio space, let me or one of the other guys know and we can go from there, OK?

Just to be clear, since this is a screenprinting-heavy site, the space we’re looking for would be for like drawing, painting (as long is it isn’t oil paint and you don’t fling it around everywhere), or graphic/web design or something, NOT a printing studio. I am, however, also looking to find any cheap space that might allow for both, so if you happen to be a Portland screenprinter looking to share space, get in touch with me about that too.

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